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Foreign Objects (2010) Listen
Clocked Out DuoLimited edition hand-made cases designed by Sharka Bosakova.
absorbing and satisfying...a detailed orchestration of percussive and resonant sounds... - Chris Reid, RealTime Magazine
a kaleidoscopic exploration of timbre, texture and rhythmic interplay... - Janet Mackay, Resonate Magazine
The Wide Alley (2010) Listen
Clocked Out with an all-star band of 10 Chinese and Australian musiciansLimited edition hand-made cases designed by Sharka Bosakova.
a meeting of forms across cultures and musical languages...and the music sounds so very good - Keith Gallasch, Realtime Arts
an incredible pastiche of genres, and the breadth of dynamics is astonishing. - Scott Spark, www.abc.net.au
Altona Sketches (2004) Listen
Prepared piano and miniature music boxes.A colorful collage of artful composition. - Igloo Magazine
Griswold time and again pushes the boundaries of the piano... - Gonzo Circus (Belgium)
...nothing short of spectacular. - GAZ-ETA (Poland)
Water Pushes Sand (2002) Listen
Clocked Out Duo (Erik Griswold & Vanessa Tomlinson)Prepared piano, percussion, toy instruments.
Experimentalism steeped in tradition, in an appreciation of the multiplicity of voices that the musics of the world have to offer - Brett McCallon, Splendid E-zine (USA)
More than my old piano (2002) Listen
Prepared piano, melodica, toy piano.It is not often that a CD in the New Music realm could be happily played at a
children's party, an old style, juke-joint pub, or a small, classical auditorium,
but this is precisely what the Griz has realised here. - Jonathan Marshall, Earbash (Australia)
OUT OF PRINT
Every Night the Same Dream (2000) Listen
Clocked Out Duo (Erik Griswold & Vanessa Tomlinson)Piano and percussion. Original music plus compositions by Graeme Leak and Warren Burt.
a striking and original fusion of minimalist and jazz (and other) impulses
- Keith Gallasch, RealTime (Australia)
Other Planes (2000) Listen
Prepared piano with text by Craig Foltz.the alchemical transformation of furious, minimal clusters into eerie harmonics and
distant half-heard melodies, sudden evocations of gamelan and marimba. - Keith Gallasch, RealTime (Australia)