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Foreign Objects (2010) Listen Clocked Out Duo Limited edition hand-made cases designed by Sharka Bosakova. absorbing and satisfying...a detailed orchestration of percussive and resonant sounds... - Chris Reid, RealTime Magazine a kaleidoscopic exploration of timbre, texture and rhythmic interplay... - Janet Mackay, Resonate Magazine |
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The Wide Alley (2010) Listen
Clocked Out with an all-star band of 10 Chinese and Australian musicians Limited edition hand-made cases designed by Sharka Bosakova. a meeting of forms across cultures and musical languages...and the music sounds so very good - Keith Gallasch, Realtime Arts an incredible pastiche of genres, and the breadth of dynamics is astonishing. - Scott Spark, www.abc.net.au |
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Altona Sketches (2004) Listen
Prepared piano and miniature music boxes. A colorful collage of artful composition. - Igloo Magazine Griswold time and again pushes the boundaries of the piano... - Gonzo Circus (Belgium) ...nothing short of spectacular. - GAZ-ETA (Poland) |
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Water Pushes Sand (2002) Listen
Clocked Out Duo (Erik Griswold & Vanessa Tomlinson) Prepared piano, percussion, toy instruments. Experimentalism steeped in tradition, in an appreciation of the multiplicity of voices that the musics of the world have to offer - Brett McCallon, Splendid E-zine (USA) |
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More than my old piano (2002) Listen
Prepared piano, melodica, toy piano. It is not often that a CD in the New Music realm could be happily played at a children's party, an old style, juke-joint pub, or a small, classical auditorium, but this is precisely what the Griz has realised here. - Jonathan Marshall, Earbash (Australia) |
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Every Night the Same Dream (2000) Listen
Clocked Out Duo (Erik Griswold & Vanessa Tomlinson) Piano and percussion. Original music plus compositions by Graeme Leak and Warren Burt. a striking and original fusion of minimalist and jazz (and other) impulses - Keith Gallasch, RealTime (Australia) |
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Other Planes (2000) Listen
Prepared piano with text by Craig Foltz. the alchemical transformation of furious, minimal clusters into eerie harmonics and distant half-heard melodies, sudden evocations of gamelan and marimba. - Keith Gallasch, RealTime (Australia) |